Tom: Let’s talk a bit more about Stax – can you tell us more about his character? He starts off quite a loner figure but then gets forced into adventure.
Jason: I wanted him to be kind of an idle sort, to go a little beyond the callow youth who isn’t ready to be a hero. I think with a lot of those characters you have a sense that that is their destiny, to crib from the language of epic storytelling. But it’s not Stax’s destiny. His destiny seems to be to be a kind of layabout rich kid who doesn’t ever do anything of much consequence or think of anything. But then his life is utterly changed and he is forced to change and forced to be different – I thought that was an interesting thing to explore.
I hope that he seems like a perfectly nice character from the beginning, if a little odd. Just not the guy you would expect to become the hero. He doesn’t really have a choice and he’s forced to respond, so I just thought that would be a fun dynamic to play with and a little bit off the beaten path for usual heroic fiction.
Tom: I like how the book is sympathetic to him – a couple of times the narrator chimes in, and he’s warning Stax “What the heck are you doing?” Was the narrator being a character something you always wanted in there or was that something that developed as you were writing it?
Jason: I wanted that sort of vaguely antique feel you get in some kids books, where the narrator does speak directly to the reader and comments a little more than we’re used to. I wanted to pay homage to The Hobbit – which is such a wonderful kids’ book – and there’s more of that than I think most of us probably remember in The Hobbit, with Tolkien stepping out of the narrative to talk directly to the reader or to comment on events. That had been such a huge book for me as a kid that I thought that it would be fun to go back there – and Stax has a little bit of Bilbo in him too. It’s less traumatic for Bilbo than for Stax, but he also is not an obvious hero who’s kind of pushed into adventure.
Tom: Bilbo’s also quite content with where he is at the start.
Jason: Yeah, exactly. I thought it’d be fun to play with that feeling a little more than I had in other stories. And that’s also why I also wanted to do those kind of faintly antique chapter headings where each chapter heading looks ahead and includes a few lines about what’s going to happen in the chapter; that came from the same place.
Tom: I miss those! I haven’t seen them in a book for so long.
Jason: Yeah! Isn’t that fun? I realised I kind of missed that too! It’s an interesting exercise to try not to spoil the upcoming chapter for everyone. (Laughs)
Tom: So how do you go about that? It’s almost like a little trailer for the new chapter.
Jason: Exactly, I think that’s a good way of putting it – as a writer it’s a really interesting tool to try to keep the reader moving. On the last page of the chapter, you’re hoping to make the reader turn the page and then that’s also actually at the beginning of each chapter to keep them turning the page – so yeah, it was fun to do!
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